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PPC > Reviews>
Leisure
Studio 7 Video Editing
Don Bradbury reviews Pinnacle Systems’ new
program.
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Product |
Studio 7 |
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From |
Pinnacle Systems
Inc |
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Telephone |
01895 442003 |
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Web site |
www.pinnaclesys.com |
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Price |
£79.99 incl |
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Rating |
5 |
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Plus points |
Easy to use, shows
good potential |
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Minus points |
Suspect stability. |
In our last look at a Pinnacle product we reviewed Studio
Online, a video capture device that came with quite decent
editing software. Pinnacle’s Studio 7 is meant to be the video
editing software of choice for the general run of amateur video
producers, offering more by way of editing facilities, transition
types, and just about everything else.
Well it does, though the differences are not
immediately apparent. Using basically the same screen layout as the
Studio Online software, Studio 7 squeezes in some nice touches that
will be appreciated by aficionados, but they’ll either have to use
the product and suss out the additions by use, or they’ll have to
plough through the manual.

As with Online, Studio 7 offers automatic scene
change detection which, while not 100% smart, nevertheless helps
with scene editing and compiling. In capture mode, the scene frames
are imported to a neat album from which selection and rearrangement
puts together your video compilation.
Dozens of transitions, sound effects, voice-overs,
titles, and even a complete sound track suited to your video length
if you wish, are now available, all adding usefully to the
facilities. Editing by drag-and-drop of scenes is, as with Online,
very easy, and editing at the frame level is useful if you happen to
have a glitched frame from the camera.
That
is facilitated by a timeline option in which your footage can be
spread out on a time basis. This can be stretched to make fine
tuning easier, and independent audio and video, together with the
advanced preview window, make editing easier.
You can also adjust brightness, contrast, and colour
to correct minor scene defects, and if you are so inclined you can
add effects like emboss, mosaic, posterise etc.
Capture can ostensibly be from a wide range of
sources; DV, Digital8, (even my old analogue Canon camcorder using a
compatible capture device like Studio Online), VCR, or webcam. You
can also import AVI, WAV, MP3, BMP, JPG, PCT, TGA, TIF, or WMF
files.
Output formats include AVI, MPEG, RealVideo8, and
Windows Media Format. A 314MB AVI file took 19 minutes to process on
my 1GHz PIII, and in MPEG format that amounted to 160MB.
Minimum system requirements include a Pentium II,
Celeron 350 or equivalent, 64MB or RAM (128MB for Win2000 or XP),
Windows 98SE, or ME, DirectX compatible graphics and sound card, and
200MB of hard disk space for software installation, plus 120MB for
every 20 minutes of captured video in preview quality or 4GB for the
same length in finished movie format.
Studio
7’s working interface is rather crowded, but when you get used to
it having everything to hand is useful, and most of the options are
easy to implement. Capture, Edit, and Make Movie are the three
modules, and ancillary options like title creation fall readily to
hand.
It’s worth spending an hour or two with the
perfect bound manual to gain basic familiarity, and within a short
time you’ll be creating your own video edits with some ease.
That’s provided the system keeps running because I
experienced regular crashes during my tests, notably from
KERNEL32.DLL and MFC42.DLL. To get within seconds of the end of a
forty minute MPG compilation and have the system stall is worse than
annoying. Pinnacle’s patch, available from their web site,
provided no improvement.
In
conclusion
Pinnacle’s Studio 7 offers plenty of potential,
but I noticed oddities. Part of the display by which you control the
capture action tended to wander off the screen and then pop back
again for no apparent reason. Pinnacle Systems had not met this
problem before I reported it (Studio 7 is, after all, a new
product).
But several other sources of actual crashes were
more serious. DLL failures, and lockups associated with this, meant
a reboot and thus loss of painstakingly compiled video footage (not
lost from the camera, of course). This was confirmed by installing
the software on a second PC; it wasn’t just the first that Studio
7 didn’t like.
I downloaded the 2.15MB patch for the product from
the manufacture’s web site – which is supposed to address the
problems I’ve outlined, among others - though with no apparent
improvement.
I would be reluctant to recommend the product at
this early stage. Wait for a reportedly stable system, that would be
my advice, and that is likely to be fully documented in the very
active user forum on the Pinnacle web site in which users offer
their views on the product.
Don Bradbury
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