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DTP
Microsoft Publisher 2002
Don Bradbury takes a look at the latest
all-singing version of the DTP program
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Info |
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Product |
Publisher
2002 |
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From |
Microsoft |
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Web site |
www.microsoft.com
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Price |
£100 |
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Rating |
9 |
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We like |
Easy
to use, comprehensive wizards |
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We don’t like |
The
product activation process |
Microsoft Publisher has been around for years, and many have
regarded it as possibly the easiest-to-use DTP (Desk Top Publishing)
program around for general application, mainly because of its smart
Wizards.
Install and Activate
Software installation under Windows ME was easy enough, and starting
up with the boot wizard was pretty intuitive. But product activation
- without which you have 50 outings and no more without loss of some
functionality - is a pain. I chose to do it via telephone rather
than the Internet, but the UK 00800 number given by the CD was
“unavailable” and I had to get the Microsoft Press Office to give me
the alternative number (0870 241 1963, should you need it).
Then, after you’ve entered the 50 characters of Product Key, you
have to read to the mechanical voice another 50 characters off the
input screen, wait for confirmation that that has been accepted, and
then finally you have no less than 42 numbers to enter into the
activation screen. This all takes about five minutes, but come on,
Microsoft; less of these mind games please. Preventing software
piracy is one thing, but this is ridiculous!
You are invited to tell the start Wizard, once and for all, your
personal details so you don’t have to keep typing them in when you
need to include them. Here, though, although it’s fairly obvious
when you are replacing prompt lines, some guidance would have
been useful where the prompt line should be left intact to be
included in the output. Lines like phone and fax numbers, and email
address, for example. You are left uncertain as to their ultimate
fate as it is.
Auto-injection
You can insert any or all of this personal info directly into your
DTP output, but left alignment of text in frames is the default.
Perhaps centered would have been better for most applications?
However, it’s likely you’ll need to adjust the font size at least,
so centering or whatever is quickly achieved at the same time.
Dozens of basic colour scheme options are available on the same page
as the personal information.
Layout,
design, colour scheme, and font options fall easily to hand, and
although you’ll usually find some are more applicable than others to
your chosen text and graphics, they are quickly changed by simple
selection in the Wizard. This makes optimization very easy, and the
sheer range of options on offer means you are more than likely to
finish up with something that suits you.
When you change an option, all fonts and box sizes are automatically
adjusted to fit. It’s magic!
Menu options
Microsoft’s somewhat annoying truncated menus are again the default
setting, but thankfully you can switch on full menu displays under
Customization. Toolbars and Commands can also be customized in the
usual way.
A
one hundred and forty page manual takes the new user through the
basics of DTP (and some points not so basic). From creating
professional flyers, brochures, and newsletters, through design
strategy, elements of design, designing for print or the Internet,
and ending up with accessibility for people with disabilities, the
manual is quite comprehensive.
Under ‘what’s new’, you’ll find that Publisher now offers enhanced
commercial printing functionality, including support for up to
twelve ‘spot’ colours in a single publication, and the ability to
combine these ‘spot’ colours with process colours. Other offerings
include an improved EPS filter with better handling of text previews
as well as ‘named’ colours to properly separate EPS graphics within
spot-colour publications.
Esoterics
Such abstruse options (to the DTP layman) are something that should
be discussed with the printing house before making changes.
Publisher’s help system adds comment on some of these and should be
referenced before using.
Other enhancements include twenty five coordinated font schemes for
the important element of consistent application within publications.
In the past, inappropriate application of fonts may have led users
to produce grotesque monsters that have made the DTP cognoscenti
wince. Now that’s taken care of automatically. You can, of course,
over-ride the suggestions, but that’s on the users head.
The Word Document Wizard is designed to produce great looking
business applications quickly and easily, but there’s a Style
Inspector wizard that can be summoned to cast its informed eye over
your product when it’s finished. If it finds a fault – text falling
outside a frame, for example – it is flagged.
Help
There’s a certain amount of ‘granny knows best’ about this help
system and one or two other facets of Publisher that some will find
annoying. You’re prevented from entering into the help dialogue
something that isn’t there, for instance. Instead you are offered
what Publisher thinks you want, and only in the format the program
has to offer it.
If
you try to type in a two word phrase, you’ll get a semicolon
injected after the first, followed by your second word or the
closest equivalent. That might make nonsense, but it’s what you get.
If you try to enter ‘Style Checker’, for instance, you’ll be offered
‘style;cell;’. Well, frustrating it may be, but it could be better
than total rejection!
Save As Web Page, direct input from scanner or digicam, HTML code
injection at your chosen point, Form Control, text autofit, Send To
mail recipient, import Word document, spell checker and
auto-correct, they’re all there and much more. Power DTP was never
easier.
In conclusion
Microsoft Publisher 2002 is the best DTP program the company has yet
produced in terms of style coordination and sheer volume of Wizard
assistance. Accept its idiosyncrasies and get on with it; that would
be our advice. For most of us - DTP amateurs that we are - granny
probably does know best! But is product activation getting
out of hand? You may well ask!
Don Bradbury
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