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Digicams
Zooming In
Don Bradbury offers more thoughts on the zoom
factor in digital photography
In the mini series on digital photography for
computer users, I mentioned a few aspects of the zoom factor in lens
design and usage. This feature deserves more comment because it’s
possibly the second most important aspect of digital camera design
after CCD resolution in the determination of image quality.
“Surely not”, I hear you say; the quality of image
would benefit more from a good fixed focal length lens performance
per se, rather than any advantage the zoom factor might bring? Well,
true, but these days the basic quality of virtually all digicam
lenses can almost be accepted as a given in any sensible price
bracket. That being so, the zoom factor assumes prime responsibility
for ‘quality’ in the optical department.
I’m not just talking actual zoom range here,
although that obviously matters more than a little. It’s the ability
to change perspective at all that’s so valuable. Well, that’s
related to zoom range, isn’t it? Sure, but provided you go for at
least a 3x zoom lens, the change from widest angle of acceptance to
narrowest should provide all the perspective angles you need.
Perspective
Now,
let me say straight away, we’re not talking simple image
magnification here, primarily. The ability to pull in a distant
object so as to fill the image area can, indeed, be most useful. In
fact, filling the picture with subject matter might even be ranked
in second place, ahead of all other digicam considerations after
resolution; it’s that important. For example, there’s no way I could
have taken the shot of an ancient cross, way above head level,
without using a zoom lens.
But I digress. We’re talking about perspective, and
we’ll take it that all photographers know the advantage of filling
the viewfinder with subject, not 50% extraneous matter. That way
they don’t have to crop their images beyond reason, thereby losing
the advantage of that expensive high resolution CCD they paid for.
Acceptance angle, that’s the thing. If you zoom out
your lens to reduce the angle of acceptance you can eliminate a lot
of distracting stuff in your picture background when you have a
portrait in mind, say, or a single feature in any essentially
one-plane subject. So move way from such subjects and zoom out the
lens; you’ll notice the difference, I promise.
Differential focus
As I’ve previously mentioned, throwing the
background out of focus is not generally feasible to any great
extent in digital photography because the CCD is so small in
comparison with a film frame. So the lenses are invariably of short
focal length, and that means huge depth of field.
You can’t have it both ways, so just settle for
improved perspective. That will also bring less distortion in full
face shots, for example, and less of an ‘in your face’ stance from
the photographer, so hated by children, ensuring that they feel less
intimidated.
Of course, if you are a keen indoor photographer,
perhaps of architectural subjects, then the wider angle shots will
be your prime requirement. Make sure you get a camera that starts
its zoom range at better than 35mm equivalent on a 35mm camera. You
might find that quite restrictive of your choice of gear, but it’s
so important in cases where you simply cannot step back to include
more subject.
A lens with a 28mm equivalent acceptance angle is
far better then, and there are still some to be had among digicams
intended for amateurs, ie the broad mass of offerings without
considering high-end stuff which brings interchangeable lenses.
In conclusion
If you are keen on the subject, don’t even think
about a digital camera that doesn’t offer a decent zoom range. That
will usually be 3x, perhaps a little more, but 3x should cover 95%
of general subjects you’ll want to shoot. Selecting the actual range
covered is up to you; make it match your principle subjects.
Finally, do make use of the zoom feature. So many
amateurs buy a zoomed lens and then never use it. That’s a shame
because it’s one certain way to lift you above the ranks of the
minions. You paid for it; use it!
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